AS preparation for the 18th edition of the annual MUSON Festival hits
top gear, a new Artistic Director, Mr. Tunde Jegede, last week assumed
duties at Nigeria's prime art facility, the Musical Society of Nigeria,
MUSON Centre in Lagos.
A composer, multi-instrumentalist and musician par excellence, Jegede
takes over from Mr. Thomas Kanitz, a German, who was noted for his
exemplary service while at the Centre. Mr. Jegede is assuming duties
just as the MUSON Festival committee is about to officially release the
full programme of the festival, which in 18 years, has become a yearly
landmark in the Lagos and Nigeria cultural calendar.
The 10-day MUSON Festival 2014 featuring a potpourri of high-quality
artistic and cultural productions, holds from October 16th through 26th
in the premises of the Society at 8/9 Marina, Onikan Lagos.
Born in 1972 to a Nigerian father and an Irish mother, Jegede had his
education at the Guildhall School of Music & Drama (1990-1992) and
Purcell School of Music (1981-1999). His appreciation of African
Diasporic culture was initiated and nurtured at the famous Keskidee
Centre, Britain's first Black Arts Centre. From an early age he was
exposed to resident and visiting artists who worked in a
multi-disciplinary mode such as Bob Marley, Walter Rodney, Edward
Braithwaite, Angela Davis and Linton Kwesi Johnson. It was here, his
path as an artist began.
Jegede's apprenticeship in African music began in 1978 and was
further developed in 1982 when he first went to the Gambia to study the
ancient Griot tradition of West Africa, with Amadu Bansang Jobarteh,
Master of the Kora (the Harp-Lute found in West Africa). The Jobarteh
family is one of five principle musician families within this unique
hereditary Oral tradition, which dates back to at least the 13th
century.
His appreciation of Western Classical music began with his
grandfather's love of Bach and by observing his work as a church
Organist. Tunde also studied Cello from the age of eight and over the
years was taught by esteemed luminaries from the Classical world
including: Alfia Bekova, Elma de Bruyne, Joan Dickson and Raphael
Wallfisch at the Purcell School of music and later the Guildhall School
of music.
In 1988 Jegede became fascinated with Jazz and worked and toured with
ex-members of the Jazz Warriors founded by Courtney Pine &
Cleveland Watkiss. He formed his own Jazz Ensemble, The Jazz Griots,
with the sole purpose of exploring the connections between African and
African Diasporic forms of music.
In 1991 he pioneered African Classical Music in the UK with the first
ever-national tour of the African Classical Music Ensemble, which
nurtured his burgeoning composer credentials. In 1995 a BBC TV
documentary, 'Africa I Remember' was done on Jegede's music and centred
around his orchestral work. In this programme he performed new
compositions alongside the London Sinfonietta, which was conducted by
Markus Stenz.
Jegede has vast and thorough knowledge in African and European
Classical Music spanning over three decades. His music has been
performed all over the world in concert halls such as; Carnegie Hall
(New York), the Royal Albert Hall (London), and the Basilque (Paris) by
international Orchestras and artists including: the Royal Philharmonic
Orchestra, The Philharmonia, London Sinfonietta, Brodsky Quartet, Smith
Quartet and the percussion soloist, Evelyn Glennie.
He has risen to be among the pioneers in the continent and his vast
experience has taken him around the world where he served and performed
in various capacities including as: Founder, Living Legacies Project
2014 (The Gambia), Writer/Producer/Director, Yinka Shonibare Studio 2013
(Nigeria), Composer Commission, Royal Opera House 2012 (London),
Composer Commission, Viva Sinfonia, 2011(UK), Composer Commission, Smith
Quartet 2010(UK), Composer-in-Residence, ST Denis Music Festival
(France) 2009, Composer-in-Residence, Cheltenham Music Festival
2007-2009, Artistic Director, Alfriston Music Festival (London)
2006-2007, Composer Commission, Trinity College of Music/Gye Nyame 2005,
Composer Commission, BBC Philharmonic Orchestra (London) 2005, to
mention but a few.
Besides his outstanding achievements in music, he is also author of
two books: The Silenced Voice (1987); and African Classical Music (1994)
both published by Diabate Arts. He has numerous articles, journals,
lectures and conferences of international accolades to his credit.
He is a Board Member and affiliate to various organizations spread over many disciplines.